33460 total results

An orchestra member since 1988, Barbara Chapman holds the position of Principal Harp for the Virginia Symphony, the Virginia Opera, and the Virginia Chamber Players. She served as one of several musician representatives on the Board of Directors for several years. Chapman was bron in Minneapolis, Minnesota on July 16, 1956. The interview was conducted with Barbara Chapman in the Digital Services Center of the ODU Perry Library for a project on the history of the Virginia Symphony Orchestra.The interview discusses Chapman's career in the Virginia Symphony as principal harp and her experiences with conductors Vogel and Falletta, and the orchestra's move from "per-service" to salaried players. 0:42:30

An orchestra member since 1988, Barbara Chapman holds the position of Principal Harp for the Virginia Symphony, the Virginia Opera, and the Virginia Chamber Players. She served as one of several musician representatives on the Board of Directors for several years. Chapman was bron in Minneapolis, Minnesota on July 16, 1956. The interview was conducted with Barbara Chapman in the Digital Services Center of the ODU Perry Library for a project on the history of the Virginia Symphony Orchestra.The interview discusses Chapman's career in the Virginia Symphony as principal harp and her experiences with conductors Vogel and Falletta, and the orchestra's move from "per-service" to salaried players. 0:42:30

An orchestra member since 1988, Barbara Chapman holds the position of Principal Harp for the Virginia Symphony, the Virginia Opera, and the Virginia Chamber Players. She served as one of several musician representatives on the Board of Directors for several years. Chapman was bron in Minneapolis, Minnesota on July 16, 1956. The interview was conducted with Barbara Chapman in the Digital Services Center of the ODU Perry Library for a project on the history of the Virginia Symphony Orchestra.The interview discusses Chapman's career in the Virginia Symphony as principal harp and her experiences with conductors Vogel and Falletta, and the orchestra's move from "per-service" to salaried players.